Adjust the image, compare instantly, and export your look.
Import a video or load the sample to see your color adjustments in action.
Scopes sample the displayed, color-adjusted preview; approximate display-referred values, not broadcast compliance tools.
Adjust exposure, contrast, saturation, temperature, tint, shadows and highlights. Use three-way color wheels and import 3D .cube LUTs to apply a creative color look. Preview the original and graded frames side by side, inspect approximate RGB histograms and waveform scopes, and export a new video when supported by your browser.
Frames are decoded and graded locally using your browser's video decoder and WebGL, with a lower-resolution CPU fallback when WebGL is unavailable. No media is uploaded to PixelOkay. Local project saving stores grading parameters and optional LUT text, not original video bytes. Graded video export uses browser MediaRecorder and canvas capture, so output format and encoding support vary by browser. Exports happen in real time and are limited to short clips. This is display-referred SDR color grading, not professional HDR/log color management or certified broadcast scopes. Imported video audio is included only where browser Web Audio routing is supported.
Open a browser-decodable video, choose a preset or adjust tone, color and supported LUT settings. Compare original and graded frames and inspect approximate scopes. Save grade settings separately from footage and export a frame, LUT or supported recording.
This is approximate SDR display-referred grading, not a calibrated HDR/log or broadcast-certified pipeline. WebGL and Canvas fallback differ in resolution, speed and recording limits; fallback is capped near 480x270/15 fps and 45 seconds. Recordings are real-time with browser-dependent audio/codecs and no guaranteed MP4. Grade projects store settings/LUT text rather than source footage, which must be relinked.
Adjust tone and color for browser-decodable SDR video, compare the grade with the original and inspect approximate scopes before exporting a frame, LUT or supported recording.
A grade backup stores settings and LUT text, not the footage. PNG stills, generated LUTs and real-time recordings serve different purposes; recording performance varies by WebGL or Canvas fallback.
Authored example: Create a fictional warm interview look, compare it against the original frame and inspect the approximate scopes. This authored exercise is not a calibrated measurement or rendered grade sample.
Scope: The workflow is approximate SDR display-referred grading, not calibrated HDR/log or broadcast mastering. WebGL and CPU fallback differ in capabilities, speed and recording limits; codecs and audio vary by browser.
No. They are approximate for an SDR display-referred workflow and do not certify calibrated HDR, log or broadcast output.
No. It stores grade settings and LUT text. Keep or relink the source footage separately.
